{"arkId":"cl010063652","url":"https:\/\/collections.louvre.fr\/ark:\/53355\/cl010063652","modified ":"2026-06-26","title":"Portrait d\u0027homme (Giulio Mellini ?). Au revers, Paysage avec un oranger sur lequel sont accroch\u00e9s deux \u00e9cussons dont l\u0027un porte des armoiries qui ont \u00e9t\u00e9 identifi\u00e9es avec celles de Giulio Mellini","titleComplement":"","denominationTitle":[{"type":"Titre","value":"Portrait d\u0027homme (Giulio Mellini ?). Au revers, Paysage avec un oranger sur lequel sont accroch\u00e9s deux \u00e9cussons dont l\u0027un porte des armoiries qui ont \u00e9t\u00e9 identifi\u00e9es avec celles de Giulio Mellini"}],"displayDateCreated":"Date de cr\u00e9ation\/fabrication : Fin du XVe si\u00e8cle (1460 - 1500)","currentLocation":"Denon, [Peint] Salle 710 - Grande Galerie, Salle 710 - (2e trav\u00e9e)","room":"Salle 710, Aile Aile Denon, Niveau 1","isMuseesNationauxRecuperation":false,"dateCreated":[{"startYear":1460,"endYear":1500,"imprecision":"","text":"Fin du XVe si\u00e8cle","type":"Date de cr\u00e9ation\/fabrication","doubt":""}],"creator":[{"label":"Anonyme","attributionLevel":"Attribution actuelle","linkType":"","creatorRole":"","authenticationType":"","doubt":"","attributedBy":"","attributedYear":"","wikidata":"Q4233718"},{"label":"Italie V\u00e9n\u00e9tie","attributionLevel":"Attribution actuelle","linkType":"\u00c9cole de","creatorRole":"","authenticationType":"","doubt":"","attributedBy":"","attributedYear":"","wikidata":""},{"label":"Marziale, Marco","attributionLevel":"Ancienne Attribution","linkType":"","creatorRole":"","authenticationType":"","doubt":"","attributedBy":"","attributedYear":"","wikidata":"Q6757621"},{"label":"Jacometto Veneziano","attributionLevel":"Autre attribution","linkType":"","dates":[{"date":"1435 ?","place":"Venise","type":"date de naissance"},{"date":"avant 1497","place":"","type":"date de mort"}],"creatorRole":"","authenticationType":"","doubt":"","attributedBy":"","attributedYear":"","wikidata":""}],"objectNumber":[{"value":"RF 1345","type":"Num\u00e9ro principal"}],"collection":"D\u00e9partement des Peintures","printsDrawingsEntity":"","printsDrawingsCollection":"","objectType":"","originalObject":"","printState":"","description":"Ce panneau est le revers du onzi\u00e8me signe avant-coureur de la fin du monde (l\u0027avers du panneau est perdu). Le th\u00e8me des signes pr\u00e9c\u00e9dant le Jugement Dernier est rarement repr\u00e9sent\u00e9. En dehors de quelques exemples dans les domaines du vitrail (en particulier \u00e0 Strasbourg et en Allemagne) et de la tapisserie, aucune peinture sur ce sujet n\u0027a jusqu\u0027alors \u00e9t\u00e9 identifi\u00e9e. Cette th\u00e9matique religieuse eschatologique d\u00e9velopp\u00e9e \u00e0 la fin du Moyen-\u00c2ge est notamment illustr\u00e9e dans le livre \u00e0 gravures publi\u00e9 \u00e0 Paris en 1495 par Antoine V\u00e9rard, \u0022L\u0027Art de bien vivre et bien mourir\u0022. La peur de la fin du monde et du Jugement dernier a suscit\u00e9 une prolif\u00e9ration d\u0027\u00e9crits th\u00e9ologiques assez tardifs, fond\u00e9s sur des textes du VIIe puis du XIIe si\u00e8cle d\u00e9crivant quatorze signes avant-coureurs de la fin du monde.","inscriptions":"","namesAndTitles":"","onomastics":"","dimension":[{"type":"Hauteur","value":"0,36","displayDimension":"0,36 m","unit":"m","anteriorPrecision":"","posteriorPrecision":"","tri":1,"note":""},{"type":"Hauteur avec accessoire","value":"0,6","displayDimension":"0,6 m","unit":"m","anteriorPrecision":"","posteriorPrecision":"","tri":2,"note":""},{"type":"Largeur","value":"0,25","displayDimension":"0,25 m","unit":"m","anteriorPrecision":"","posteriorPrecision":"","tri":3,"note":""},{"type":"Largeur avec accessoire","value":"0,49","displayDimension":"0,49 m","unit":"m","anteriorPrecision":"","posteriorPrecision":"","tri":4,"note":""}],"shape":"","materialsAndTechniques":"huile sur bois","placeOfCreation":"","dateOfDiscovery":"","placeOfDiscovery":"","provenance":"","historicalContext":[],"objectHistory":"Panneau ext\u00e9rieur du polyptyque d\u00e9membr\u00e9 des \u0022Quatorze signes de la fin du monde\u0022 provenant peut-\u00eatre de l\u0027abbaye Notre-Dame de Vauluisant dans l\u0027Yonne (Arch. d\u00e9p. de l\u0027Yonne, H 677, fol. 94 v\u00b0, texte laconique de 1628 faisant mention d\u0027un retable de ma\u00eetre-autel command\u00e9 par l\u0027abb\u00e9 Antoine Pierre avant 1534, date \u00e0 laquelle l\u0027abb\u00e9 se d\u00e9mit de ses fonctions : \u0022Item le dit abb\u00e9 a fait faire la table du grand autel de lad. eglise de menuiserie, imagerie et peintures, laquelle menuiserie fut faicte par ung nomm\u00e9 Jacques Millon, les images par ung nomm\u00e9 Jehan Blotin, et les peintures par ung nomm\u00e9 Jehan Cousin\u0022). Le mobilier de cette abbaye fut dilapid\u00e9 d\u00e8s les guerres de religion et aux XVIIe et XVIIIe si\u00e8cles (cf. Abb\u00e9 Bouvier, 1887). Parmi les vingt panneaux du retable identifi\u00e9s \u00e0 ce jour et repr\u00e9sentant, \u00e0 l\u0027avers (face interne), les signes avants-coureurs de la fin du monde (Greenville, Bob Jones University Museum and Gallery ; Rouen, mus\u00e9e des Beaux-Arts), et au revers (face externe), des r\u00e9v\u00e9lations ou des visions proph\u00e9tiques tir\u00e9es de l\u0027Ancien Testament (Greenville, Bob Jones University Museum and Gallery ; Londres, (collection particuli\u00e8re), quatre ont \u00e9t\u00e9 acquis en 2014 et 2015 par le mus\u00e9e du Louvre (R.F. 2014.3 ; 2014.4 ; R.F. 2014.5 ; R.F. 2015.2). Neuf autres panneaux ainsi que la composition centrale (sans doute le quinzi\u00e8me des signes de la fin du monde, c\u0027est-\u00e0-dire le Jugement Dernier) du retable sont perdus ; vente Paris, H\u00f4tel George V, 29 mars 1994, n\u00b042 (avec trois autres panneaux, attribution \u00e9cole fran\u00e7aise autour de Troyes, vers 1550) ; rest\u00e9 invendu ; Galerie Tornabuoni, Florence, 2013 (attribution \u00e0 Amico Aspertini).","jabachInventory":"","napoleonInventory":"","previousOwner":[{"value":"Comte Caroillon de Vandeul, Louis-Alfred","note":"","role":""}],"acquisitionDetails":[{"mode":"don","doubt":"","dates":[{"type":"date","value":"1902","startYear":1902,"endYear":1902}]}],"ownedBy":"Etat","heldBy":"Mus\u00e9e du Louvre, D\u00e9partement des Peintures","longTermLoanTo":"","index":{"Mode d\u0027acquisition":[{"value":"don"}]},"bibliography":[{"bibliographyRef":"Trupiano Kowalczyk, Carolina, \u00ab Jacometto Veneziano ante Vittore Carpaccio. Affinit\u00e0 tecnico-stilistiche e nessi critici \u00bb, Critica d\u0027arte, LXXXII, n\u00b0 23-24, 2024, pp. 25-43","bibliographyDate":"2024","bibliographyDetail":"p. 31, 32, 40, note 25, fig. 6-7 couleurs (face et revers)","comparison":false},{"bibliographyRef":"Federico da Montefeltro e Francesco di Giorgio : Urbino, Crocevia delle arti, cat. exp. (Urbino, Galleria Nazionale delle Marche, 23 juin - 9 octobre 2022), Urbino, Marsilio Arte, 2022","bibliographyDate":"2022","bibliographyDetail":"p. 141, ill. coul. p. 141","comparison":false},{"bibliographyRef":"Kientz, Guillaume, \u00ab \u0022L\u0027envers du tableau\u0022. Parcours \u00e0 la d\u00e9couverte des revers de tableaux du mus\u00e9e du Louvre \u00bb, du mercredi 2 au lundi 28 novembre 2011, 2011","bibliographyDate":"2011","bibliographyDetail":"p. 169, n\u00b0 28","comparison":false},{"bibliographyRef":"Thi\u00e9baut, Dominique, \u00ab XIIIe-XVe si\u00e8cle \u00bb, dans Foucart-Walter, \u00c9lisabeth (dir.), Catalogue des peintures italiennes du mus\u00e9e du Louvre. Catalogue sommaire, [Mus\u00e9e du Louvre, D\u00e9partement des peintures], Paris, Louvre \u00e9ditions \/ Gallimard, 2007, p. 13-60","bibliographyDate":"2007","bibliographyDetail":"p. 57, ill. n\u0026b","comparison":false},{"bibliographyRef":"Pagnotta, Laura, Bartolomeo Veneto. L\u2019opera completa, Florence, Centro Di, 1997","bibliographyDate":"1997","bibliographyDetail":"A61","comparison":false},{"bibliographyRef":"D\u00fclberg, Angelica, Privatportr\u00e4ts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert, Berlin, Mann, 1990","bibliographyDate":"1990","bibliographyDetail":"p. 188","comparison":false},{"bibliographyRef":"Brejon de Lavergn\u00e9e, Arnauld ; Thi\u00e9baut, Dominique, Catalogue sommaire illustr\u00e9 des peintures du mus\u00e9e du Louvre. II. Italie, Espagne, Allemagne, Grande-Bretagne et divers, Paris, R.M.N., 1981","bibliographyDate":"1981","bibliographyDetail":"p. 205, ill. n\u0026b","comparison":false},{"bibliographyRef":"Heinemann, Fritz, Giovanni Bellini e i Belliniani, 2 volumes, Venise, Neri Pozza, 1962","bibliographyDate":"1962","bibliographyDetail":"p. 87 ; 407","comparison":false},{"bibliographyRef":"Berenson, Bernard, Italian pictures of the Renaissance. A list of principal artists and their works with an index of places. 1. Venetian school, Londres, Phaidon Press, 1957","bibliographyDate":"1957","bibliographyDetail":"p. 112","comparison":false},{"bibliographyRef":"Robertson, Giles, Vincenzo Catena, Edimbourg, Univ. Press, 1954","bibliographyDate":"1954","bibliographyDetail":"p. 81","comparison":false},{"bibliographyRef":"Berenson, Bernard, Italian pictures of the Renaissance. A list of the principal artists and their works, with an index of places, Oxford, The Clarendon Press, 1932","bibliographyDate":"1932","bibliographyDetail":"p. 335","comparison":false},{"bibliographyRef":"Hautecoeur, Louis, Mus\u00e9e national du Louvre. Catalogue des peintures expos\u00e9es dans les galeries. II. Ecole italienne et Ecole espagnole, Paris, Mus\u00e9es nationaux, 1926","bibliographyDate":"1926","bibliographyDetail":"n\u00b01252 A","comparison":false},{"bibliographyRef":"Ricci, Seymour de, Description raisonn\u00e9e des peintures du Louvre. I. Ecoles \u00e9trang\u00e8res. Italie et Espagne, Paris, Imprimerie de l\u0027art, 1913","bibliographyDate":"1913","bibliographyDetail":"n\u00b01252 A","comparison":false}],"exhibition":[{"value":"Hidden faces : Covered Portraits of the Renaissance, New York (Externe, Etats-Unis), Metropolitan Museum of Art, 01\/04\/2024 - 07\/07\/2024 "},{"value":"Reversos. Donde no llega la luz, Madrid (Externe, Espagne), Museo Nacional del Prado, 07\/11\/2023 - 03\/03\/2024 "}],"relatedWork":[],"image":[{"urlImage":"https:\/\/collections.louvre.fr\/media\/cache\/large\/0000000021\/0000063652\/0001215351_OG.JPG","urlThumbnail":"https:\/\/collections.louvre.fr\/media\/cache\/small\/0000000021\/0000063652\/0001215351_OG.JPG","copyright":"\u00a9 2023 GrandPalaisRmn (mus\u00e9e du Louvre) \/ Mathieu Rabeau","type":"face, recto, avers, avant ; vue d\u0027ensemble ; vue sans cadre","position":0},{"urlImage":"https:\/\/collections.louvre.fr\/media\/cache\/large\/0000000021\/0000063652\/0001215352_OG.JPG","urlThumbnail":"https:\/\/collections.louvre.fr\/media\/cache\/small\/0000000021\/0000063652\/0001215352_OG.JPG","copyright":"\u00a9 2023 GrandPalaisRmn (mus\u00e9e du Louvre) \/ Mathieu Rabeau","type":"dos, verso, revers, arri\u00e8re ; vue d\u0027ensemble ; vue sans cadre","position":1},{"urlImage":"https:\/\/collections.louvre.fr\/media\/cache\/original\/0000000021\/0000063652\/0000052144_OG.JPG","urlThumbnail":"https:\/\/collections.louvre.fr\/media\/cache\/small\/0000000021\/0000063652\/0000052144_OG.JPG","copyright":"\u00a9 2004 Mus\u00e9e du Louvre, Dist. 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GrandPalaisRmn \/ Ang\u00e8le Dequier","type":"dos, verso, revers, arri\u00e8re ; vue d\u0027ensemble ; vue avec cadre","position":3},{"urlImage":"https:\/\/collections.louvre.fr\/media\/cache\/large\/0000000021\/0000063652\/0000375475_OG.JPG","urlThumbnail":"https:\/\/collections.louvre.fr\/media\/cache\/small\/0000000021\/0000063652\/0000375475_OG.JPG","copyright":"\u00a9 1997 GrandPalaisRmn (mus\u00e9e du Louvre) \/ Daniel Arnaudet","type":"face, recto, avers, avant ; vue d\u0027ensemble ; vue sans cadre","position":4},{"urlImage":"https:\/\/collections.louvre.fr\/media\/cache\/large\/0000000021\/0000063652\/0000375476_OG.JPG","urlThumbnail":"https:\/\/collections.louvre.fr\/media\/cache\/small\/0000000021\/0000063652\/0000375476_OG.JPG","copyright":"\u00a9 1997 GrandPalaisRmn (mus\u00e9e du Louvre) \/ Daniel Arnaudet","type":"dos, verso, revers, arri\u00e8re ; vue d\u0027ensemble ; vue sans cadre","position":5}]}